Every list of bird photography tips invariably tells us to “shoot at the bird’s eye level”. A tip that’s often ignored, though not by prize-winning photographers. Of recent top 100 winners in the Audubon photo contest, 70% were clearly eye-level; most of the rest very close to it. But all rules have exceptions. The eyes […]
Ursa Major charter yacht in Lituya Bay, Glacier Bay National Park, June, 2002, scan from Fujichrome Velvia. Following suggestions by Mark Galer, I built a film scanner using wood, cardboard, a 2” drill bit, a light table and a mirrorless camera. My intention was two-fold: scan curated color slides, and re-scan selects to compare with […]
Adobe updated Lightroom Classic CC last week (October, 2018). Two additions of interest to me are the One-step Merge to Panorama and the new Color/Luminance Range Mask. The One-step Merge creates HDR panoramas with a single select and click, where beforehand you needed the separate steps of creating multiple HDR images, and then select and […]
My 2012/06 photo tip, Photograph Birds at Eye Level, covered getting down to the bird’s eye level for better photography. True enough, but often dismissed, so let’s re-visit. Not many photogs crawl on their belly in the mud. Yet dropping from a kneeling or sitting position to your elbows is huge. And, if you haven’t […]
My last post considered extracting stills from 4K video. A caveat I didn’t mention for many cameras─aside from the small file size─is rolling shutter. Background: To cope with the demands of video, cameras use an electronic, rather than mechanical, shutter. Shooting 4K, the electronic shutters produces frame rates of 24 or 30 fps, faster than […]
An underused advantage of shooting 4K video is in extracting serviceable stills. 4K produces good-quality 3840 x 2160 jpgs at 24 or 30 frames per second in many cameras, a faster frame-rate than the stills obtained from high-end dSLR’s or most mirrorless cameras. Some cameras can even shoot 4K at 60 f/s; the demands of […]
Photographically, September was a good month. In part this was due to The Photographer’s Ephemeris, a free and popular outdoor photographer planning software. I’ve written about Ephemeris before, in 2012. It’s since evolved to be web browser and app-based, no longer a desktop download. Below are two instances where The Photographer’s Ephemeris contributed hugely to […]
Sorry my mouseovers don’t work right now. I’ll fix them soon. Like many photographers, I’ve had some difficulty photographing the night sky with my dSLR. Focusing the lens is an omnipresent concern. It’s dark as pitch when the Milky Way is out in all its glory. Autofocus doesn’t work. Looking through the viewfinder, it’s difficult […]
Photographs of patterns in nature compel, soothe and mystify. Well-executed, they capture our attention. They trap our gaze, like Escher does, in endless loops. Examples are everywhere: bird flocks, butterfly wings, fish scales, animal hides, beach pebbles, snowflakes, bubbles in ice, gnarled wood, smoky hills, lichen close-ups. Armed with a telephoto or a macro lens, […]
Starbursts are light rays emanating from point light sources — from the sun, moon, streetlights, sunlit waterdrops or reflective surfaces. They are creative photographic elements that can enhance an image — adding drama to a dull sky, a focal point to a silhouette or waterdrop, a twinkle to street lights. Starbursts are created where light […]