Significantly for 2016, I purchased the cropped-frame Sony a6300 for backpacking, video and added reach in bird photography. I then discovered the image IQ was as good as my Canon 5D III at moderate ISO’s, so I used it preferentially for landscapes. The proof is below, where seven of eleven favorite images came from the […]
The flash of lightning greeted us as we emerged at dusk from a steep climb out of upper Palouse Canyon. My heart raced. Lightning isn’t unusual here, but this was a photo op not to be missed! I sped to the cliff overlooking Palouse Falls, a perfect ringside perch for the ensuing show. A lone […]
Photographs of patterns in nature compel, soothe and mystify. Well-executed, they capture our attention. They trap our gaze, like Escher does, in endless loops. Examples are everywhere: bird flocks, butterfly wings, fish scales, animal hides, beach pebbles, snowflakes, bubbles in ice, gnarled wood, smoky hills, lichen close-ups. Armed with a telephoto or a macro lens, […]
Starbursts are light rays emanating from point light sources — from the sun, moon, streetlights, sunlit waterdrops or reflective surfaces. They are creative photographic elements that can enhance an image — adding drama to a dull sky, a focal point to a silhouette or waterdrop, a twinkle to street lights. Starbursts are created where light […]
Early on, nature photographers are taught the necessity of using a tripod. The great teacher John Shaw calls the tripod a crucial, best single accessory. Pros use tripods. With a tripod you slow down, take control and become a better photographer. You can better fine tune compositions, pick and choose elements like line and shape, […]
I wasn’t thinking I had many favorites when I created a 2013_best_images Collection in Lightroom from the filtered three-star-or-better images of 2013. But I found many I was quite fond of, and in a couple short sessions whittled those to ten. Often it’s the field experience as much as the composition that yields a favorite, […]
Last year (2012/09 Photo Tip), I wrote about using Lightroom Development tools to create Pop and Mystery in a photo. The gist: darken skies, selectively increase color saturation and increase contrast. Ansel Adams famously said the negative is the score, the print the performance. The RAW file you create in camera is a digital negative; […]
Photographing elk is much like other wildlife photography, in that background is often key. Early in October I was in Jasper National Park, Alberta, waiting for the weather to break for a planned kayak paddle of Maligne Lake. While I waited I met a friend, Norm Dougan, by coincidence, and for two days he graciously […]
In the field, I often stalk through a potential photo op with the viewfinder glued to my eye, seeking just the right composition or perspective. If I plan well, I’m scouting before the light gets good—in the afternoon for a sunset shot, or the day before for the sunrise. What I’m scouting for is foreground. […]
If Ansel Adams had had the darkroom power of Lightroom 3 to manipulate black and white imaging, he’d do a leaping victory dance like Jack Black in The Big Year. Ansel artfully dodged and burned his negatives, and controlled light in the field with filters, one filter per shot. Today, digital age tools boost control […]