In the field, I often stalk through a potential photo op with the viewfinder glued to my eye, seeking just the right composition or perspective. If I plan well, I’m scouting before the light gets good—in the afternoon for a sunset shot, or the day before for the sunrise. What I’m scouting for is foreground. […]
Photo Tip: Composition for Panoramas ____ 2011/09
I had some fun shooting panoramas in August. Some worked out well and some didn’t; there were a few pleasing surprises. A successful pano requires not so much mastery of the technical aspects, easily done, but thought and imagination with composition that is especially demanding with rapidly changing light or with people on the move. […]
Photo Tip: Frame It! ___ 01/2010
Camera and tripod instinctively pop out when we view a mountain sunset or ocean seascape. The tripod legs spread; we mount the camera, plug in the cable release and fire away. Later we inspect the photo and discover that it doesn’t match our memory. An elementary problem in photography is translating a dynamic 3D world […]
Tutorial: Adobe Elements 6 Panoramas ___ 08/2008
Edited 3/15/2013. Prior to Elements 6, on the rare occasion that I made panoramas, I stitched images manually. A big problem was that automated stitch programs produced banding in the sky, often accompanied by bizarrely-merged foregrounds. But when I saw a Mark Galer example (Adobe Photoshop Elements 6: Unleashing the hidden performance of Elements) demonstrating […]
Tutorial: Floral Portrait Conundrum ___ 07/2007
When shooting wildflower or floral portraits — pictures of single flowers or small groups of flowers — it’s often difficult to achieve both sharpness in the flower(s) and pleasing, poster-like, out-of-focus backgrounds. In the past I ususally went for the pleasing background, picking the most important floral part, like the stigma or edge of a […]