The year 2023 had some interesting twist and turns and a surprise as well. I started a bird-photography year gung-ho with my Sony A7 IV and 100-400mm GM zoom, same as 2022. By August, though, soon after I purchased the APS-C Sony A6700, I realized the new camera would be my go-to. I sold the […]
Ursa Major charter yacht in Lituya Bay, Glacier Bay National Park, June, 2002, scan from Fujichrome Velvia. Following suggestions by Mark Galer, I built a film scanner using wood, cardboard, a 2” drill bit, a light table and a mirrorless camera. My intention was two-fold: scan curated color slides, and re-scan selects to compare with […]
Adobe updated Lightroom Classic CC last week (October, 2018). Two additions of interest to me are the One-step Merge to Panorama and the new Color/Luminance Range Mask. The One-step Merge creates HDR panoramas with a single select and click, where beforehand you needed the separate steps of creating multiple HDR images, and then select and […]
Everything was going according to plan. At home, I consulted with www.stellarium.org for the Milky Way location, NOAA for cloud cover and Google Earth for orientation at Palouse Falls, WA. An October Milky Way shoot looked probable. I also checked the Palouse River stream gage, which was flowing above normal, not high but good enough. […]
My last post considered extracting stills from 4K video. A caveat I didn’t mention for many cameras─aside from the small file size─is rolling shutter. Background: To cope with the demands of video, cameras use an electronic, rather than mechanical, shutter. Shooting 4K, the electronic shutters produces frame rates of 24 or 30 fps, faster than […]
An underused advantage of shooting 4K video is in extracting serviceable stills. 4K produces good-quality 3840 x 2160 jpgs at 24 or 30 frames per second in many cameras, a faster frame-rate than the stills obtained from high-end dSLR’s or most mirrorless cameras. Some cameras can even shoot 4K at 60 f/s; the demands of […]
The flash of lightning greeted us as we emerged at dusk from a steep climb out of upper Palouse Canyon. My heart raced. Lightning isn’t unusual here, but this was a photo op not to be missed! I sped to the cliff overlooking Palouse Falls, a perfect ringside perch for the ensuing show. A lone […]
I enjoy creating panoramas, but I wasn’t excited about the new Adobe Lightroom 6 (and CC) Merge Panorama feature. I get great results from Microsoft ICE (Image Composite Editor), which creates pans from TIFs or JPGs at a quality better than I generally need. So why change? The case for Lightroom’s Panorama Merge are speed, […]
I upgraded to Adobe Lightroom 6 with some trepidation, after reading about and not being impressed by the new features. Adobe touted HDR and Panorama Merge especially, and my thought was “so what?” I’m no HDR fan, and for panoramas I get great results with Microsoft ICE. What I wish for in Lightroom is more […]
Last year (2012/09 Photo Tip), I wrote about using Lightroom Development tools to create Pop and Mystery in a photo. The gist: darken skies, selectively increase color saturation and increase contrast. Ansel Adams famously said the negative is the score, the print the performance. The RAW file you create in camera is a digital negative; […]