Edited 3/15/2013. Prior to Elements 6, on the rare occasion that I made panoramas, I stitched images manually. A big problem was that automated stitch programs produced banding in the sky, often accompanied by bizarrely-merged foregrounds. But when I saw a Mark Galer example (Adobe Photoshop Elements 6: Unleashing the hidden performance of Elements) demonstrating […]
Photo Tip: Digital Thinking __ 07/2008
Edited 3/15/2013. Photographing with today’s digital SLR’s is the stuff of dreams: sub-$1000 cameras, instant feedback, cost-free shooting, on-the-spot ISO change, image quality superior to 35mm film. One consequence is we shoot way more, but taking advantage of digital isn’t just filling 32-GB cards in the hope of getting the shot. As always, it still […]
Tip: Polarize that sky (without a polarizer) __ 06/2008
Edited 3/3/2013. In the March, ’08 tip I discussed “the only filter”—the polarizer—a filter that hasn’t gone away with digital, and whose hallmark is a deep, blue sky. Of course, if this was the only thing a polarizer was good for, it would go the dustbin route of other filters. But a dramatic blue sky […]
Photo Tip: Full-frame Bokeh __ 05/2008
APS-sized sensors for wildlife are touted for their ability to extend the reach of telephoto lenses, making, in the case of APS-C (e.g. 1.6x multiplier for Canon 40D), a 300mm lens into a 480mm equivalent. This is a enormous asset for hard to reach wildlife, or for trailside flower photography when you can’t step off […]
Photo Tip: Handheld Super-telephoto Lens Hood __ 04/2008
Another once unthinkable shift for outdoor wildlife shooters is handholding the big lens. Tripods have always been the rule for telephoto work, but in good light—even in the film days—handholding a medium-telephoto 300mm f/4 or 400mm f/5.6 for flight shooting was commonplace. Shoulder stocks or other aids helped smooth performance, as did electronic image stabilization. […]
Photo Tip: The Only Filter (Polarizer) ___ 03/2008
In days of pre-digital yore, outdoor photographers carried a bunch of filters. The essentials were warming, split-neutral density (ND) and polarizing. But with different filter thread sizes for various lenses, additional filters or adaptor rings were often required. Then to top it off, serious shooters carried as many as four split ND filters—or certainly at […]
Packing a Small Sea Kayak ____ 02/2008
Photographers carry a lot of photo gear, so a big-volume sea kayak logically meets the need. A long, large kayak can be fast as well, but can also be a heavy lift solo, and a bear wrestle in wind or in surf. Most photographers aren’t burly-burly men. They just want a kayak to get them […]
Photo Tip: Going Solo? Go Gorillapod! ___ 01/2008
Edited 03/15/2013. I often carry a Bogen Super Clamp or a tabletop tripod on kayak trips. The Clamp attaches to kayak U-bolts, rudders, or in camp from tree branches; the tabletop tucks under deck bungie for an action shot or gets the low-angle perspective while ashore. The Clamp weighs a full pound, so I never […]
Photo Tip: People in Nature ___ 11/2007
A missing element to make many a great scenic saleable can be pretty obvious. It’s an element that’s also ignored, overlooked, forgotten and even belittled by us nature photographers. Yet it’s an element we find endlessly fascinating, an element that grabs the attention in every scene. That element, of course, is people, and there’s no […]
Tutorial: Floral Portrait Conundrum ___ 07/2007
When shooting wildflower or floral portraits — pictures of single flowers or small groups of flowers — it’s often difficult to achieve both sharpness in the flower(s) and pleasing, poster-like, out-of-focus backgrounds. In the past I ususally went for the pleasing background, picking the most important floral part, like the stigma or edge of a […]