Early on, nature photographers are taught the necessity of using a tripod. The great teacher John Shaw calls the tripod a crucial, best single accessory. Pros use tripods. With a tripod you slow down, take control and become a better photographer. You can better fine tune compositions, pick and choose elements like line and shape, […]
2013 Favorite Images Critique ____ 2014/01
I wasn’t thinking I had many favorites when I created a 2013_best_images Collection in Lightroom from the filtered three-star-or-better images of 2013. But I found many I was quite fond of, and in a couple short sessions whittled those to ten. Often it’s the field experience as much as the composition that yields a favorite, […]
Lightroom 5 HSL Panel: More Pop and Mystery ____ 2013/12
Last year (2012/09 Photo Tip), I wrote about using Lightroom Development tools to create Pop and Mystery in a photo. The gist: darken skies, selectively increase color saturation and increase contrast. Ansel Adams famously said the negative is the score, the print the performance. The RAW file you create in camera is a digital negative; […]
GoPro Hero3 Video/Stills Modes Illustrated ____ 2013/10
I’ve been a GoPro fan since they introduced their fish-eye lens—and particularly since the Hero2 intro—when I thought the quality was good enough to actually buy one. The wide-angle, distorted view of the GoPro perfectly captures the essence of the POV (point-of-view) video action cam. The Hero3 Black Edition—in many ways 2x better than the […]
Photo Tip: Microsoft ICE for panoramas ____ 2013/09
For Windows users—Vista, XP, Windows 7 or 8—Microsoft ICE (Image Composite Editor), version 1.4.4, generates single or multi-row panoramas with a speed and accuracy that leaves Photoshop eating dust. It’s a free, no-frills, stand-alone application. I downloaded it last month after having some difficulty with Elements 10’s Photomerge Panorama. Re-loading Elements 10, as well as […]
Photo Tip: Scouting, Hurricane Ridge ____ 2013/08
In musing about the mixed success of my recent visit to Hurricane Ridge at Olympic National Park, Washington State, scouting looms large in capturing the best images. The third week in July reigns as “f/8 and be there” time for Hurricane Ridge. Big draws are the blacktail buck, mountain scenics, wildflowers—and as always at this […]
Photo Tip: Big Lens, Low Light ____ 2013/07
I photographed Pileated Woodpeckers at a couple of nest sites in June. Both were in deep woods, with no possibility for sunlit images, with skylight overhead filtered through the leaves of Bigleaf Maple. The crow-sized birds chisel out a new nest each spring, 15-70 feet up (Peterson), and—in Northwest second-growth city parks—often in Alder snags. […]
Photo Tip: Reflected Light in Outdoor Photography ___ 2013/05
Bounce light into shadows to add fill or extend the photographic day I’m not much of a fan of outdoor flash photography. I find it cumbersome to carry a multiple flash system, and I’m generally unhappy with results from a single strobe. If flash looks necessary for a backlit bird, I’ll seek a different angle, […]
Photo Tip: Road Less Traveled ____ 2013/04
A good route to success in outdoor photography is finding a niche that you love. Find your passion; focus like a laser. Be a big fish in a small pond. My particular niche is sea kayaking. As a vehicle, the sea kayak transports a photographer to unique photo ops, sometimes just a stone’s throw out […]
Photo Tip: Foreground Elements _____ 2013/03
In the field, I often stalk through a potential photo op with the viewfinder glued to my eye, seeking just the right composition or perspective. If I plan well, I’m scouting before the light gets good—in the afternoon for a sunset shot, or the day before for the sunrise. What I’m scouting for is foreground. […]