For years, I have captured backyard flight shots of our year-round resident Anna’s Hummingbirds. My strategy was always to remove our three-hole perching feeder, and replace it with a single-hole vertical tube that forced the birds to hover. With my 500 f4 (and extension tube for close focus), I would photograph the tiny birds from seven or eight feet away. Most of the resulting images ended up birds in profile, and, for the male Anna’s, a dull flat black would display instead of their trademark, iridescent gorget.
With a new idea this fall, I instead filled a small, red, empty spice container with 1:4 ratio sugar-water and attached it to the top of a scrap wood stick (a square dowel, construction stake or anything of suitable height would do the support work). I snapped off the spice cap, revealing five holes. When boss hummer discovered it, I removed the perching feeder and shot while seated nearby with my 300mm f2.8 lens. Now whenever the bird paused while feeding, it would face me straight on or with just a slight turn of head. Success!
Quickly, though, I considered using the Sony Creator’s App to control a wide-angle lens, with the camera set-up on a tripod mounted close. My 15mm f1.4 lens made this particularly appealing, i.e. lots of light. After set-up and linking of camera with smartphone, I tried mechanical shutter. It drove off a visiting bird like a shotgun blast.
No worriesꟷelectronic shutter rescue! Phone control then worked as hoped, and I got lots of sharp eyes employing bird eye focus w/tracking, with me comfortably standing or sitting behind our deck’s sliding glass door.
The changing season brought mornings with sunlight streaming thru a neighbor’s Douglas Fir tree, back-lighting the scene. This frequently caused difficult-to-block lens flare, but often it delivered wonderous light. I shot the wide-angle images mostly at f2 with my 15mm lens, ISO 200 to 800 and shutter speeds 1/250s to 1/1600s.
The A6700’s electronic shutter (15ms readout compressed RAW) occasionally created weird wing-shapes. Odd pics aside, though, I like the blurred wings, which generally have a look and feel much like what we see with our own eyes when viewing a hovering hummer up close. Our eyes, like most camera settings, can’t freeze rapid wing-beats. As well, the wing blur implies action, not a bad thing for a small flying bird.
Regardless of lens choice, 300mm or 15mm, this spice-container set-up fostered straight-on shots; every shoot I sorted many images with appealing head angles.
Note: When shooting with the wide-angle/smartphone app control, I would sometimes lose focus to the background, especially as the bird exited the feeder, and I wasn’t quick enough to stop shooting. If this happened, I stepped outside and manually re-set focus, ready for the next encounter.
Gary
Comments?
Really enjoyed this, and I’m not even a photographer!
Thanks, Clarke. What? I thought you were the Galen Rowell of Yosemite!
Thanks Gary! I was inspired to try a bit of this type of photography myself after seeing a wide-angle hummer shot you posted. Lots to learn but it’s fun to try!
Whidbey Island has lots of shore opportunity. Shorebirds, or shots like Pigeon Guillemots congregating below cliffs. I love the ideas possible.
Gary, great article, but I still can’t figure out why the hummer is always looking at you. Is it because you are sitting on the other side of the spice-container feeder? -Thanks!
If wide-angle lens, I’m inside the house. Hummer may be looking at his reflection in the lens glass. Lens is very close, like 4″ behind the spice container. If 300mm lens, I’m sitting on the deck about 7 or 8 ft away and hummer may be giving me the stink eye but he’s used to me or Kate on the deck (or the neighbor kids).