Photo Tip: Backpacker Panorama Hardware __ 09/2009

A year ago I built a light-weight panorama tool out of wood. My hope was to make back-country panoramas. My dream was to rival the pixel count of high-end, medium-format digital backs, or scanned 4×5 film cameras without the weight, bulk or cost. Here in Washington State, I imagined Prusik Peak in the Enchantments, or […]

Photo Tip: Image Maturity ___ 08/2009

The late, great Galen Rowell crafted the term “image maturity” to describe a quality of an image. In his 1993 book, The Art of Adventure Photography, Rowell explained that “immature” subjects require straight-forward depiction; with “mature” subjects, subtlety or originality prevail. He used a Snow Leopard and a deer as an example. A Snow Leopard […]

Photo Tip: Bird Photography Kayak __ 07/2009

I’ve photographed birds with a 500mm f/4 from kayaks since 2003, when I mustered the courage to risk the big, expensive glass for the task. Since then I’ve used the same set-up in a dozen or so different kayaks—kayaks from my own fleet, outfitter kayaks and rentals. All of these were closed-deck boats, which offer […]

Photo Tip: Finding Perspective ___ 04/2009

In 1999 I made my first visit to the Santa Cruz Kayak Surf Festival, held annually at the world-renowned point break Steamer Lane in Santa Cruz, CA. It’s a lovely venue, and perfect for spectators who get a close-up view from the cliff that abuts the action. I shot film with a tripod-mounted telephoto that […]

Photo Tip: A Matter of Numbers ___ 02/2009

If you work at composition—and what photographer doesn’t—you’re probably aware that number is a compositional element, and a powerful one. Consider that composition is a way of organizing a photograph. The best compositions paring down, simplifying, gett to the essence. It puts a stamp on who you are as a photographer.Number is one of many […]

Photo Tip: Take Your Eye Off the Viewfinder __ 07/2006

Serious film photographers wouldn’t think of it, but point-and-shoot digital shooters routinely snap photos with camera at arms length. Not just holding the digicams straight out in front of them, but overhead, down low or off to the side.  Some point-and-shoot LCD’s even cleverly fold out and twist to aid in composing, though this isn’t […]